There are certainly strong moments and efficient set pieces here, too, but for all the claims that the film, adapted from a 1975 book by John Keel, is based on real events, Pellington fails to sustain credibility.. Remaking Alain Corneau's 2010 French noir Love Crime proves less a comeback for De Palma and more what economists call a 'dead cat bounce.'. A throwaway by a gifted filmmaker who has run out of ideas.. Passion is pretty good. If you cared enough to make a list, it might be your fifth ...
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