Shooter eventually gets in its own way by hitting things too hard, too loud and too long.. The engaging, fast-talking idiosyncrasy of [Wahlberg's] performance in The Departed has vanished.. Shooter won't win any Oscars, but it has blood and brains, and even some heart. They're splattered all over the screen.. Its pleasures are borrowed, but durable.. If Abrams had stuck with the kids and cut way back on all the sci-fi hoo-ha, his film might have stood a fighting chance of being charming. Big is ...
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