Horn delivers a star turn as Oskar, a child trying to make sense of a tragedy that still baffles us all.. If imagining a city where people open their doors (or don't) to a boy with a key and a ton of questions is sentimental ... then it is vitally, beautifully so.. It lingers intolerably on some inessential scenes, rushes through others, and fails to provide any motivation either for Poe's devoted (albeit fictional) love, or the film's archvillain.. Less a film about communication, in the end, t...
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