Horn delivers a star turn as Oskar, a child trying to make sense of a tragedy that still baffles us all.. The difficulty is mainly with the story, which despite all the emotion hovering around it, remains thin and uninvolving.. Daldry and his screenwriter Eric Roth make the mistake of showing bodies falling from the Twin Towers - it's a mistake because its graphic power seems more exploitative than cathartic - but they otherwise thankfully refrain from pulling out all the stops.. Formulaic and r...
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